AFRREV VOL 14 (1), S/NO 57, JANUARY, 2020
Introduction
The true nature of film is succinctly put by Kokler (2006) thus: “there is a curios cliché that
says pictures don’t lie.” part of that cliché that says seeing is believing.” The Niger Delta
issue can only be verified by a filmic approach. Before the emergence of militancy, the Niger
Delta was calm, cool and nature oriented. It gradually became volatile because of the
insensitivity of government as a result of maladministration, and abject neglect of the oil
producing Niger Delta area of Nigeria. This phenomenon has been on-going for over fifty
years with the oil companies prospecting and producing oil for commercial purposes, but with
very little to show on the part of the exploited producing areas in terms of infrastructural
development. Consequently, this has prompted the youths to agitate for resource control in
1999, which was later hijacked by politicians. Hence, certain negative adjectives such as lazy,
militants, kidnapers, oil thieves, etc. are today used to describe youths from the Niger Delta.
Thus, the need to use this film as a practical guide to encourage an ethnographic research as a
means of laying bare the true picture of the situation, to interpret and showcase the real
relationship between oil companies and their host communities. The true condition of things
cannot be ascertained without an audio-visual representation of the real nature of things.
Thus, this paper will analyse this situation using graphic representation from the film
‘Krakraye’ directed by Gentle Jack to examine the real situation of things in the environment.
The Purpose of the Study
The purpose of this paper is to show that the audio-visual means is the best way to show the
disparity and neglect of any society especially the oil producing Niger Delta area of Nigeria in
terms of development. Feature films are sometimes presented to depict or reveal the true
nature of things in the society as it will help find a lasting solution to issue of neglect in terms
of infrastructural development, youth restiveness, pipeline vandalism, and agitation for self-
determination in the oil producing communities of the Niger Delta area of Nigeria,
necessitated by lack of basic necessities of life like water, road, light, health care, etc.
The analysis arising from this paper will reveal the true nature of things to people in the outer
world because of the film’s nature of sometimes capturing everyday events, real people and
real situations. Re-enacting them as they would occur in real life in relation to the given
circumstances will help alleviate the anomaly of oppression, subjugation, marginalization,
frustration of the Niger Delta youths. The issue of pipeline vandalism and
company/community clash is new to the Niger Delta environment. They are as a result of
injustice meted out to the producing communities prospecting the poor living conditions of
the people in host communities and producing areas. All that is required to douse the tension
would have been the provision of basic infrastructure that can stand the test of time such as
pipe borne water, electricity, roads, health care centres, good transport systems to rural
communities of the Niger Delta.
Film
Since its introduction in the early 20th Century as a means of recording real events, it has
helped man to reflect on social happenings in his environment. It has been used to influence
the psychology of individuals and society in diverse realms of cultural life. This influence,
according Shehu, Krushev recognised when he stated in his address to the Soviet people that:
Our party regards the soviet cinema as one of the most important artistic
vehicles for educating our people in the spirit of communism. There is
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