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being played by African writers, male and female, who are feminism inclined or advocate the
cause of women equality (1983, p. 72). Literature has become a positive avenue to shape
feminist, and consequently, gender consciousness through instruction, information and
entertainment and women writers are moving from a conciliatory perspective to a more
assertive one in their treatment of the subject of womanhood in relation to traditional and
cultural values and expectations. Through their literary works, they are reflecting the various
types and trends of feminism, and creating room for African literature to effectively explore
and describe women’s problems and offer choices which could be gained through
consciousness-raising and self-awareness leading to self-actualization.
Choices such as economic independence, assertiveness, personal upliftment and growth
through education and sisterhood are offered by African women writers,among them Flora
Nwapa, BuchiEmecheta, Ama Ata Aidoo, Nawal El Saadawi, Mariama Ba, Julie Okoh, Tess
Onwueme, TsitsiDangarembga, and Chimamanda Ngozi Adichie, as avenues through which
the African woman can realize herself and bridge the gap still existing in gender relations in
the African society. Critics such asKatharine Frank, MolaraOgundipe-Leslie, Helen
Chukwuma, Iniobong I. Uko, Abena Busia and Monica Bungaro also urge women on to a
higher consciousness of themselves as individuals and writers.
Literature has, thus, become a creative tool used by feministsin the African society to uplift
the African woman and their contributions have established them as the significant ‘other
voices’ of African literature.With this new development, the reader is offered “a more
concentrated vision of female experience [in literature where] women play crucial roles …
[and] a balanced perspective of womanhood” (Chukukere, 1994, p. 101).
However, the problem of people not wanting to be identified with ‘feminism’ also manifests
on the literary scene. As Nkealah (2006) observed, “The definition and use of the term
feminism in African literature poses a number of problems for African women writers and
critics, many of whom tend to deny any affiliation to the feminist movement, even though
their writings espouse feminist aspirations” (Abstract). Evidently, this detachment emanates
from people’s misconceptions and wrong interpretation of feminism especially in the African
society, as beinganti-male, culture and anti-religion. This makes it difficult for many African
women writers to take a feminist stance. Nkealah further explainedthis situation thus: “She
has to accept feminism with all its implications (some of which might be opposed to her
cultural beliefs), or reject it completely, or appropriate the concept and redefine it in a manner
that appropriately expresses her cultural experience” (2006, Abstract).
Adeleye (2017), however, lays the blame for this problem on “white feminists who [were so]
submerged in their own narrow understandings of what universal liberation for women should
look like …” (para. 4). This, inevitably, resulted in their disregard for the unique identities
and experiences of the black African women which alienated some African women from the
feminist ideology.
African women critics have also faced embarrassing situations where writers they have
categorized as feminists refuse to be so identified. Prominent among such writers is Emecheta
who would rather be regarded as an ‘ordinary writer’ than a feminist. She asserted:
I don’t deal with great ideological issues. I write about the little happenings
of everyday life. Being a woman, African born, I see things through an
African woman’s eyes. I chronicle the little happenings in the lives of the
African women I know. I did not know that by doing so I was going to be
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