Feminism in Africa and African Women’s Writing
AFRREV VOL 14 (1), S/NO 57, JANUARY, 2020
African Research Review: An International
Multidisciplinary Journal, Ethiopia
AFRREV Vol. 14 (1), Serial No 57, January, 2020: 84-94
ISSN 1994-9057 (Print) ISSN 2070-0083 (Online)
DOI: http://dx.doi.org/10.4314/afrrev.v14i1.8
Feminism in Africa and African Women’s Writing
Nutsukpo, Margaret Fafa
Department of English Studies
University of Port Harcourt
Rivers State, Nigeria
E-mail: margaret.nutsukpo@uniport.edu.ng
Abstract
Feminism developed out of the discontents of women in the West. Although African women,
over the ages, have always been sensitive to all forms of discrimination within the African
society, the emergence of feminism and feminist consciousness-raising awakened in them a
new awareness of their oppression through the inequalities in society, reinforced by
patriarchal tradition and culture. Many African women have aligned themselves with
feminism and the feminist cause and, despite all odds have made remarkable progress in their
lives and society and gained respectable acceptance and recognition from even the most
stubborn reluctance of male domination. This trend has been captured by African women
writers in their literary works which reflect the progress African women have made in
transitioning from the margin to the centre and their contributions to social change.
Key Words: Feminism, Africa, patriarchy, African women, consciousness-raising, change
The Historical Background of Feminism
Feminism is an ideology which advocates equality between the sexes in society; it is a
commitment to achieve equal rights for women by fighting against all forms of patriarchal
and sexist oppression that prevent them from self-realization. In her attempt to define
feminism, Gamble (2001) aptly observed:
[Feminism] is the belief that women, purely and simply because they are
women, are treated inequitably within a society which is organized to
prioritize male viewpoints and concerns. Within this patriarchal paradigm,
women become everything men are not (or do not want to be seen to be):
where men are regarded as strong, women are weak; where men are rational,
they are emotional; where men are active, they are passive; and so on (p. vii)
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Gamble further revealed that this rationale causes women to face negativity in all spheres and
also denies them “equal access to the world of public concerns as well as of cultural
representation” (2001, p. vii). The aim of feminism is, therefore, to change this situation for
the betterment of women and the progress of society.
Bearing in mind the African context, Chukwuma (1994), a feminist scholar and critic,
proffered her own perception of feminism thus:
Feminism means a rejection of inferiority and a striving for recognition. It
seeks to give the woman a sense of self as a worthy, effectual and
contributing human being. Feminism is a reaction to such stereotypes of
women which deny them a positive identity (p. ix)
Ezeigbo (1996) also acknowledged the fact that feminism “emerged as a response to
oppressive and unjust laws and attitudes arrayed against women [which have kept them in]
subservient, dependent and marginalized positions, permanently relegating them to the
background... [Thus, feminism aims to] liberate and emancipate women worldwide from
oppression, ignorance,poverty and self-immolation” (p. 1).A feminist, then, is one whose
desire “is to articulate a self-consciousness about women’s identity both as inheritedcultural
fact and as a process of social construction [and to] protest against the available [negative
perceptions] of female becoming” (Miller,as cited in Heilbrun, 1988, p. 19).
An offshoot of the Women’s Liberation Movement in Europe and America, feminism dates
back to the 18thcentury and the aftermath of the Reformation. It was a period which
witnessed a change insocialvaluesduring which men began to seek personal and political
freedom. Now more conscious of thepassive roles allotted them by society, women began to
crave a share of this newliberty. In Europe, Mary Wollstonecraft in her feminist tract,
“Vindications of the Rights ofWomen” (1792), called for consciousness-raising in women
through education (Freeman, 1975, p. 13). This message resonated with many including John
Stuart Mill who showed his support in an essay entitled “The Subjugation of Women” (1867).
Other prominent intellectuals and societies lent their voices and this led to the emergence of
the feminist movement in Europe.
In America, the change in social values and social structure (in the aftermath of the American
Revolution) have been identified as the two social forces that led to the development of
equalitarian values. For women in America, the abolition of slavery led to the awareness of,
anddemand for freedom of self. This perception spilled to different parts of the world as
women were encouraged to perceive themselves not as subordinates but, inallways,the equals
of men.
Feminism was formally launched in America in 1849 at the first feminism convention
atSeneca Falls. A commitment to women’s suffrage was made and women outlined their
grievancesand summed up their case that “man has endeavoured in every way they could, to
destroytheir confidence in their own powers, to lessen their self-respect, and to make them
willing to leada dependent and abject life” (Freeman, 1975,p. 13). Thus, first-wave feminism
took root as a strongmovement in the West. Lorber (2005) noted that, first-wave feminists
fought for rights which,today, many women take for granted. She remarked:
It is hard to believe these rights were among those once denied to women of
every social class, racial category, ethnicity, and religion─the right to vote ...
[and] to own property and capital, to inherit, to keep money earned, to go to
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college, to become a professionally certified physician, to arguecases in
court, and to serve on ajury (Lorber, 2005, p. 1).
The goal of first-wave feminists was for women to attain the vote, equal legal rights and
opportunities for education, employment and economic independence for women. In
America, the realization of this dream began to manifest when women attained the right to
vote; many European countries also accorded women this right after the two World Wars.
However, the climate ofopinion that female suffrage and equality would destroy homes and
families limited the visions and the attainments of many of the goals of the movement. One
thing the first-wave did, however, was to pave the way for the emergence of second or new-
wave feminism, the movement that emerged after World War II.
Unlike first-wave feminists who held a common belief of the factors responsible for
theoppression and marginalization of women, second-wave feminists were less united in this
regard. This paved the way for the formulation of different theories, perspectives and
solutions to theproblems of women. It is pertinent to note, however, that this diversityin views
is not negative inorientation but as a result of people gaining more insight into the sources of
gender inequality and their effects. Four major strands of feminism emerged under the
umbrella of the second-wave:Liberal, Radical, Marxist and Socialist feminism respectively.
Liberal feminists are largely traditional in their outlook. They believe that women and men
arenot so different and should therefore be accorded the same rights. They acknowledge the
centralityof men in the lives of women, but recognize the need for a social system that values
andencourages diversity in all spheres of life. Thus, they advocate legal and economic
reforms insociety that will uplift women and ensure their active participation in all spheres.
Lorber (1997), describedliberal feminist activists’focus thus:
[They] are concerned with visible sources of gender discrimination, such as
gendered job markets and inequitable wage scales, and with getting women
into positions of authority in the professions, government, and cultural
institutions … [and they have adopted] anti-discrimination legislation and
affirmative action … to fight gender inequality, especially in the job market
(p. 9).
Although liberal feminism has not been able to change the prevailing perception that men and
women are inherently different, they have successfully proved that women are, in no way, the
inferior to men.
Radical feminists, on the other hand, regard feminine values as being superior to
masculinevalues. Rather than equal rights, they advocate the eradication of male dominance
and emphasizethe power of sisterhood and consciousness-raising among women. By refusing
to fall in line withconventional assumptions, radical feminism directly confronts “the deep-
seated denigration andcontrol of women in the gendered social order, [which] pushes
feminism into direct conflict withthose in power” (Lorber, 2005,p. 136). Kirk and Okazawa-
Rey (2007) gave further insight into radical feminist perspective by remarking that in their
view, “… male domination manifests itself in women’s sexuality, gender roles, and family
relationships, and it is carried over into the male-dominated world of work, government,
religion, and law” (p. 16). Radical feminists, therefore, regard the eradication of patriarchy
and the creation of alternative ways of living as avenues through which the problem of female
subjugation can be solved.
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Marxist feminists developed their theories along Marxist principles and premises. Di Stefano
(2014) defined Marxist feminism as follows:
[It is] a species of feminist theory and politics that takes its theoretical
bearings from Marxism, notably the criticism of capitalism as a set of
structures, practices, institutions, incentives, and sensibilities that promote the
exploitation of labour, the alienation of human beings, and the debasement of
freedom. For Marxist feminists, empowerment and equality cannot be
achieved within the framework of capitalism. (Abstract)
It is clear that for this group of feminists, capitalism is responsible for limiting women
through issues such as inferioroccupational and pay levels. They also regard the family as a
domain where women are oppressed and exploited. They advocate economic independence as
avenue through which women can gain their freedom and, therefore, call for changes in the
economic structure ofsociety that will result in the empowerment of women through the
provision of equal opportunities and resources.
Socialist feminism was defined by Napikoski (2019) as ‘a mixed theoretical and practical
approach to achieving women’s equality … [which emphasizes] the connection between the
oppression of women and other oppressions in society, such as racism and economic
injustice” (para.1). For Socialist feminists, “… class and gender are symbiotic, at least to
some degree, and one cannot be addressed without taking the other into consideration”
(Napikoski, 2019, para. 2). Women’s oppression would, therefore, be entirely eradicated in
society with their removal of all forms of class oppression through a working-class
revolution. This is because women’s struggles are considered as an integral part of class
struggle. The removal of class oppressionwould, subsequently, lead to women’s
emancipation.
Evidently, second-wave feminism witnessed the emergence of a diversity of
theories,ideologies and perspectives. However, it is important to emphasize the point that,
“the divisions,the arguments among scholars about theories, approaches, methodology, are
not, of themselveseither dangerous or unexpected. Indeed, they are essential to the progress of
understanding”(Heilbrun, 1988, p. 19).
Cox et al. (1997) identified some of the notions that are central to the ideologies of second-
wave feminists by noting that,
[for them,] the link between biological sex and socially appropriategender
roles is politically motivated to perpetuate male privilege, butalso that many
of the qualities that society typically celebrates aboutmasculinity are, at best,
of questionable value and, at worst, sociallydestructive. (p. 178)
Although much of the activities of 20th century second-wave feminism were centred in the
West and other industrialized countries, the struggle for equality also found its way to
manyother parts of the world including Africa where its emergence held
significantimplications,not only for women, but society as a whole.
Feminism in the African Society
Although the African society has always regarded women as weak and docile due to its
patriarchal nature, African women have always had very powerful traditional groups that
uniteand promote their cause and fight for their rights. Among these groups are the Umuada
of the Igbos of Nigeria and the Queen Mother and her group of women in Ghana, who wield a
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lot of power and are greatly respected in society.History has also disproved the notion of the
passivity of African women in relation to situationsand events that directly affect their lives
and well-being. The 1929 Women’s Revolt which witnessed the uprising of women in South-
East Nigeria against economic exploitation and taxation is an example. Ogundipe-
Leslie’sobservation that “there were indigenous patterns within traditional African societies
for addressing the oppressions and injustices to women” (2009, p. 548) was, therefore, valid.
With its emergence in Africa in the late 1960s, feminism anchored itself on the achievements
of these indigenous groups of women.
Without doubt, women have always been aware of the inequities in the African society that
have directly or indirectly been responsible for their oppression. However, they were
conditioned to view and accept these realities as natural. Independence and post-colonialism,
however, gradually saw women becoming more conscious of their individuality.
Feminism, however, received a hostile welcome in Africa in the 1960s because of perceived
notions that it would impact traditional, socio-cultural and religious values negatively. For
Ezeigbo (1996), this attitude emanated from a misunderstanding of the concept which, for
some, “conjures up visions of aggressive women who try to be like men, dress carelessly and
abandon essential feminine attributes” (p. 1).Feminism was regarded by many as irrelevant in
the African society; for this group of naysayers Ogundipe-Leslie (2009) pointed out that it
would be incorrect to say “the African woman...does not need an ideology that addresses her
reality, hopefully and preferably, to ameliorate [that reality]” (p. 547). Also, Ogundipe
reiterated the notion that feminism is not really foreign to the African woman by observing
that they did have channels through which “women’s oppositions and resistance to injustice
within their societies” (2009, p. 547) were handled.Like their counterparts in the West,
African women have embraced different types of feminism depending on the context of their
situations and perspectives. Among them are three major feminist perspectives: African
feminism, Womanism, and Accommodationism.
African feminism is an ideology which advocates female individualism and assertion across
the board. According to Chukwuma (1994), “African feminism is not elitist at all and is not
the exclusive right of the educated women …” (p. xiii). African feminists are united in their
battle against gender inequality, discrimination and social injustices against women in the
African society. Subsequently, they embrace those institutions which are of value to women
and reject those that impede their positive growth. Davies (2009) also identified a significant
aspect of genuine African feminism as a recognition of
a common struggle with African men for the removal of yokes of foreign
domination and European/American exploitation[achieved through a unity of
both sexes and an acknowledgement of] certain salient aspects of women’s
subjugation which differ from the generalized oppression of all African
peoples ... (p. 563).
Helen Chukwuma, Julie Okoh and Amma Darko are all proponents of African feminism who
advocate for gender equality and a breakdown of patriarchal structures in the African society
that impede the positive growth and actualization of African women.
Womanism, a concept formulated by Alice Walker which is black-centred, advocates an end
to sexism and a meaningful relationship between blackwomen and men, and children. For
Njoku (1997), what makes Womanism suitable for the African context is its commitment not
only to black people but to their culture, its perception of the individual and self as important,
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and its emphasis on women, their ideals, experiences and welfare as the focus of interest (pp.
77, 78).In essence, Womanism “expresses black women’s experiences and their reactions to
these experiences” (Njoku, 1997, p. 77); and this is a true reflection of Womanism in the
African society.FloraNwapa and Mariama Ba are proponents of Womanism.
Accommodationism upholds the man as the head of the familybut emphasizes a
complementary relationship between men and women. Nnolim (1994) defined
Accommodationists thus:
[They] stress as womanists do, the unity of man and woman in spite of
bickering, misunderstandings, and the jostling for power. Reconciliation, not
separation; convergence, not divergence; love, not hatred; affection, not mere
passion; a pooling together of resources, not scattering; a building together,
not destruction of the latent love between the sexes; an establishment of the
family under patriarchy, not advocacy for a new arrangement these form
the focus of their own ideological praxis. (p. 252)
Accommodationists therefore promote a healthy and loving relationship and mutual respect
between African men and women. Among this group are Zaynab Alkali and Ifeoma Okoye.
It must be noted that some African writers and critics adopt perspectives of feminism outside
of the three discussed above in their commitment to the cause of women in the African
society. Among them are Nawal El Saadawi who is a radical feminist, Ama Ata Aidoo whose
works echo the principles of Marxist feminism and Christine Obbo whose works have
underpinnings of socialist feminism.
It is evident that despite their differences, all perspectives of feminism discussed above
acknowledge the need for gender equality; the recognition of the African woman as an
individual as well as a partner in progress in family life and nation building and,asNwapa
(2009) posits, the significance of women’srolesas“crucial for the survival of the race ...
[which is] true of all women across the globe, be they black or white” (p. 527).
In many African societies, women have had to struggle against patriarchal perceptions as
regards their womanhood, roles and personal identity. However, feminism and feminist
consciousness have made a great impact on their lives. Chizea (1991) posited that women
“are the building block upon which the foundations of happy homes and families [and
subsequently communities and the nation] are built” (p. 10).For centuries, the African woman
was deprived of equal rights with men in the society and cowed into accepting the status quo.
While acknowledging that the forms of women’s inequality and oppression have changed
over the years, Enejere (1991) posited:
… the fact of inequality formalized by the state and sanctioned by religions
and communal customs have remained intact. The ideologies of the
exploiting classes justify this inequality by reference to the so-called
inferiority of women, their social biological features, the function of
motherhood etc .... but we know that scientifically, women’s inequality is
rooted in socio-economic conditions. (pp. 48-49).
Enejere’s views may have stemmed from the fact that, despite their resilience, resourcefulness
and skills, many African women have been deprived of opportunities in the socio-economic
sphere that would have enabled them to become fully independent and to gain power and
control over their lives and destinies. The opportunities open to these women in society have,
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consequently, been very limited. Unfortunately, this problem has not yet been fully eradicated
in contemporary African society. No wonder Ezeigbo (1996) remarked that “the
responsibilities and limitations of being female in a male-dominated society are realities that
are constantly in the consciousness of every [African] woman” (p. xv).
Fortunately, experiences such as colonialism and the emphasis on female education through
consciousness-raising efforts have helped many women to focus on their lives and personal
experiences. This has empowered them to challenge societal ideas and perceptions of
womanhood that are false, promote new perceptions that reveal the truth about the condition
of women and advocate justice and equality. Nwapa (2009) revealed the implications of this
new female awakening:
Women have started to redefine themselves; they have started to project
themselves as they feel they should be [perceived]. There have been
tremendous changes in all facets of life which contribute to the continent-
wide awareness and rethinking of women’s problems and roles in the society.
(pp. 528-529)
Unfortunately, in spite of the many and positive achievements of feminism in the African
society, some women who are, or should be interested in the feminist cause, as earlier noted,
shy away from being identified as feminists because of the negative images of rebellion
associated with the conceptof feminism. Fortunately, however, this has not hampered the
desire and zeal of many others to identity with feminism in order to improve the lot of African
women.
Feminist Consciousness and African Women’s Writing
Ojo-Ade (1983) noted that Black Literature is a mirror of man’s inhumanity and the voice of
the victim (p. 71). It is, therefore, not surprising that through feminist consciousness,
literature has become an avenue to reveal and challenge all aspects of male domination and
the subordination of women, and the avenues and structures that have reinforced and
maintained them. Indeed, African literature which, once upon a time, was phallic and
dominated by male writers and male critics who focused almost exclusively on male
characters and male concerns,entered a new phase with the emergence of feminist conscious
writers (Ogunyemi, 1988, p. 60).Evidently, “when women tell their own story, they emerge as
actors and participants in a host of activities beyond home and family, providing strong
evidence for the [recognition] of women as [a] force [in society]” (Ware, 1989, p. v).This is
because they empower women to discover the potency and value of their abilities as well as
the resources and choices that are open to them.
With emphasis shiftingfrom the individual and man to the collective development of
women,African women writers globally are voicingout the realities of African women
through their literary works which reveal an awareness of gender issues which negatively
impact the lives of women. By sharingvital knowledge and information on these issues, they
challenge women to fight against their passivity, silence and subordination and for their rights
to be respected, their voices heard and opportunities created for their
advancement.Furthermore, through the platform of literature, they educate society in general
to perceive women in a new light, desist from relegating them to the fringes of society and
embrace them as equal partners in progress.
For Ojo-Ade, the African society is,therefore, currently enjoying a remarkable era of
dynamism and progress in which feminism has found a forum through the significant roles
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being played by African writers, male and female, who are feminism inclined or advocate the
cause of women equality (1983, p. 72). Literature has become a positive avenue to shape
feminist, and consequently, gender consciousness through instruction, information and
entertainment and women writers are moving from a conciliatory perspective to a more
assertive one in their treatment of the subject of womanhood in relation to traditional and
cultural values and expectations. Through their literary works, they are reflecting the various
types and trends of feminism, and creating room for African literature to effectively explore
and describe women’s problems and offer choices which could be gained through
consciousness-raising and self-awareness leading to self-actualization.
Choices such as economic independence, assertiveness, personal upliftment and growth
through education and sisterhood are offered by African women writers,among them Flora
Nwapa, BuchiEmecheta, Ama Ata Aidoo, Nawal El Saadawi, Mariama Ba, Julie Okoh, Tess
Onwueme, TsitsiDangarembga, and Chimamanda Ngozi Adichie, as avenues through which
the African woman can realize herself and bridge the gap still existing in gender relations in
the African society. Critics such asKatharine Frank, MolaraOgundipe-Leslie, Helen
Chukwuma, Iniobong I. Uko, Abena Busia and Monica Bungaro also urge women on to a
higher consciousness of themselves as individuals and writers.
Literature has, thus, become a creative tool used by feministsin the African society to uplift
the African woman and their contributions have established them as the significant ‘other
voices’ of African literature.With this new development, the reader is offered “a more
concentrated vision of female experience [in literature where] women play crucial roles …
[and] a balanced perspective of womanhood” (Chukukere, 1994, p. 101).
However, the problem of people not wanting to be identified with ‘feminism’ also manifests
on the literary scene. As Nkealah (2006) observed, “The definition and use of the term
feminism in African literature poses a number of problems for African women writers and
critics, many of whom tend to deny any affiliation to the feminist movement, even though
their writings espouse feminist aspirations” (Abstract). Evidently, this detachment emanates
from people’s misconceptions and wrong interpretation of feminism especially in the African
society, as beinganti-male, culture and anti-religion. This makes it difficult for many African
women writers to take a feminist stance. Nkealah further explainedthis situation thus: “She
has to accept feminism with all its implications (some of which might be opposed to her
cultural beliefs), or reject it completely, or appropriate the concept and redefine it in a manner
that appropriately expresses her cultural experience” (2006, Abstract).
Adeleye (2017), however, lays the blame for this problem on “white feminists who [were so]
submerged in their own narrow understandings of what universal liberation for women should
look like …” (para. 4). This, inevitably, resulted in their disregard for the unique identities
and experiences of the black African women which alienated some African women from the
feminist ideology.
African women critics have also faced embarrassing situations where writers they have
categorized as feminists refuse to be so identified. Prominent among such writers is Emecheta
who would rather be regarded as an ‘ordinary writer’ than a feminist. She asserted:
I don’t deal with great ideological issues. I write about the little happenings
of everyday life. Being a woman, African born, I see things through an
African woman’s eyes. I chronicle the little happenings in the lives of the
African women I know. I did not know that by doing so I was going to be
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called a feminist. But if I am now a feminist then I am an African feminist
with a small f. (2009, p. 553).
Adeleye (2017), however, aptly noted that Emecheta may have considered herself a feminist
‘with a small f’ but “… when she wrote, she was a ‘big F’ [for] her books were loud and clear
about where she stood” (para. 8). Chukwuma confirmed this in her description of Emecheta
thus: “She is the one African writer who has in novel after novel projected the feminine point
of view. [She] is committed to the female cause and has earned for herself a coveted place of
honour in African literature” (1994, p. xviii).
Nevertheless, the feminist ideology has continued to inform the works of African women
writers, raise the consciousness of African women and revolutionize African literature so that
male writers and critics are now more sensitive to female issues and more balanced in their
portrayal of female characters and experiences. Evidently, these male writers and critics have
realized, like Uko (2006) that “… contemporary African women writers are not only
establishing the new woman … They show that though the woman may be said to be situated
on the fringes, the borders, the margins, her strength and resilience keep her in control at the
centre” (p. 93).
Clearly, feminism helps in building a positive feminine culture which contributes largely to
the development of society and without women, there can be no meaningful development in
literature and society.
Conclusion
Two emerging feminist perspectives in Africa are third-wave feminism and Post feminism.
Third-wave feminism is a continuation of the second-wave, and seeks to build on what is
perceived as thefailures and successes of the second-wave. Post feminism, however, lacks a
clear definition andmany traditional feminists regard it with deep scepticism, considering it as
a product ofassumption rather than a concrete ideology. The notions of the sceptics are very
true of Africa inparticular, at this point in time.
Nevertheless,African women are actively contributing to the growth of literature and society
and their impact can be felt in all facets of life. The socio-political, economic, educational and
religious spheres, as well as the creative industries are replete with women committed to the
feminist cause. Even then, there is continued need for unity and consciousness-raising, to
enlighten and carry other women along by supporting, encouraging and inspiring each other
to greater heights. Women, individuals and writers, must learn to confidently admit their
ambitions, claim their achievements, allow their successes to give hope and courage, and to
testify of their indispensability in the African society.
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